Zhong-Yang Huang





Waskimo
Oil on canvas
24 x 48 Inches 
SOLD




Dream
Oil on canvas
48 x 48 Inches 




Sunny Day in June
Oil on canvas
24 x 45.5 Inches 




Peaceful Morning
Oil on canvas
30 x 40 Inches 




Summer Night
Oil on board
24 x 36 Inches 




Fortune
Oil on board
24 x 36 Inches 




Storm Is Coming
Oil on canvas
20 x 30 Inches 
SOLD




Friends in the Distance
Oil on canvas
24 x 30 Inches 
SOLD




Little Geese
Oil on canvas
36 x 24 Inches 




Fountain Under Moonlight
Oil on canvas
48 x 24 Inches 




Stepping Stones
Oil on canvas
30 x 24 Inches 
SOLD




A Little Chick
Oil on canvas
48 x 24 Inches 




Sweet Peas
Oil on canvas
18 x 23 Inches 




Quietly, the boy sits … - Buddha In The Garden
Watercolour on paper
11.5 x 20 Inches 




"There, silent before them, …" Buddha In The Garden
Watercolour on paper
11.5 x 20 Inches 




"As they approach the gate,..." Buddha In The Garden
Watercolour
11.5 x 20 Inches 




Roses
Oil on canvas
26 x 20 Inches 




Saskatoon to Regina
Oil on canvas
12 x 20 Inches 
SOLD




Spring Blossoms
Oil on canvas
16 x 20 Inches 
SOLD




"Look! The monster has Qu Yuan." The Mermaid's Muse
Oil on board
12 x 19 Inches 




"The caring and closeness..." The Mermaid's Muse
Oil on board
12 x 19 Inches 

(Please email the gallery to be notified when new work by Zhong-Yang Huang arrives.)

 


In 1949, Zhong-Yang Huang was born in Guangzhou, China. From the age of four, Yang’s parents encouraged him to draw and paint. At the age of eight, Yang began formal training in traditional Chinese painting and calligraphy. Yang’s instructors and peers were in awe of his talent even as a young boy. They believed that he would one day go on to become a great artist.

During the Cultural Revolution, the government put a halt to any individual creativity in China and many writers, artists and academics were forced to work as labourers. At 15 years old, Yang, along with his two brothers and sister, were forced to leave school and work in the fields. For ten years, Yang toiled in the fields for hours every day. Even though he was surrounded by great hardship and poverty Yang continued to paint.

At the end of the Cultural Revolution, Yang entered the Guangdong Province Art and Craft Academy where he completed his undergraduate degree. A Masters Degree followed in 1981 from the Guangzhou Academy of Fine Arts and until 1984 Yang worked at the Academy as an Instructor. In 1984, Yang had the opportunity to travel to Canada as a visiting student. Yang completed his second Masters Degree from the University of Regina, in Saskatchewan.

As an artist living in Canada, Yang has the artistic freedom to express himself. He may choose to chronicle the people and places of Chinese history as represented in the painting, Death of the Pearl Concubine. The paintings in this show, aim to capture the pure sweetness and beauty of one moment in time, such as the serenity portrayed in Sisters on the Silver Moon.

Yang’s work is influenced by many periods of art history: the Pre Raphaelite School, the French Impressionists as well as the work of the great Dutch painter Rembrandt. Yang also has a great love for music and enjoys listening to music for inspiration. One of Yang’s favourite musicians is the late French violinist Ginette Neveu. (Neveu died in a plane crash the same year Yang was born.) Parallels are evident between Yang and Neveu’s philosophy and are best described by Neveu herself when expressing her goal for her life and music: “Aim high…aim at beauty”. Yang agrees.